A Prayer for Nettie
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Truth and lies. Documentary and fiction. Distance and obscenity. Tenderness and cruelty. Donigan Cumming moves tirelessly to and fro across the thin dividing lines between these concepts. He likes to provoke us, to keep us uncomfortable. A Prayer for Nettie, the first of his films, marks the transition from photography to video. In fact, Nettie has long been his favourite model; here he devotes an elegy to her. She was still alive when he began to film her in 1993. An ordinary still image suspends her life, making her look like a recumbent figure on a tomb. At this point the mourners, captured in their home but associated with Nettie through the editing, can come in. One of them stands out especially -Albert, who hardly knew her. In the midst of his declamations Cumming gets him to perform a parody of a detective film. Are we watching a tragedy or a comedy? The film-maker does not choose. Although the protagonists are in an ongoing performance, a strong sense of emotion is felt throughout the film. While there is no explicit link between these figures, the deed of record staged by Cumming nonetheless brings them together in a virtual community. From now on it is to the latter that he will be devoting himself, from film to film.

Bertrand Bacqué, Visions du réel, 2002 

(translation: Kevin Whiteley)

Awards and mentions
Prix Téléfilm Canada, meilleur découverte canadienne
Nouveau festival international, cinéma, vidéo et nouvelles technologies de Montréal
Montréal
1996
1995
Canada
33:00
Original language
English

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Credits

Direction
Donigan Cumming
Participants
Albert Ross Smith
Raymond Beaudoin
Nettie Harris
Donigan Cumming
Joyce Donnison
Nelson Coombs
Gerry Harvey
Geoffrey Bates
Photography
Donigan Cumming
Sound
Donigan Cumming
Editing
Donigan Cumming
Production
Donigan Cumming

Technical information

Color
Color
Sound
Stereo

Documentation

Images
Keywords
Photographer, Process, Creation, Model, Intimacy

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