Tasked to produce a short intro to my feature-length essay Cut, I turned to the origins of the close-up, in a scene featuring camera person Billy Bitzer and director D.W. Griffiths. How to live in this new body, with its cuts, its fissures and fractures?
Availability
Video only available in English.
Credits
Project management
Mike Hoolboom
Technical information
Color
Black and white
Image format
16:9
Sound
Stereo
Documentation
Images
