A particularly active Don Juan agrees to collaborate with a documentary film crew with whom he shares his exploits.
"The schoolboy humour, the intelligent banter, the taste for the absurd, the not very well controlled flights of fancy, cynical words used like formulas : the authors [Ricardo Trogi, Patrice Robitaille and Jean-Philippe Pearson] are like their film Québec-Montréal. Like their films, in fact, because this ironic tone, both heavy and light, was already present in Trogi’s short films, with the hyper-serious sexual maniac in C’est arrivé près de chez nous. [...] Our laughter is embarrassed, the film’s ideas brilliantly illustrated and the actors well directed".
RUER, Juliette. «Sans freins», Voir, Montréal, 1 August 2002, p. 12