Based on the play by Germain, Gauvreau and Sauvageau, Jean-Claude Germains produced a tableau - in the style of the time before the Quiet Revolution - illustrating the decline of religion in Québec. Each scene is cut short, placed in sequence and follows a rapid rhythm. Using facial mime and working their voices to modulate the texts, the actors remain static. The raising of consciousness about the power of religion and the alienation felt towards it depicts an existential