"Similarly, in the video Code d’accès, the series of fixed shots produces a physical shift in space. Because each shot is connected to a moment on the sound track, the matching of shots creates temporal discontinuity in the spatial continuity of the shifting points of view. Between the recording of the shots a physical shift took place which is not included in the video but is present in the form of a break in the sound".

LAVOIE, Frédéric. L'écart entre représentation et expérience dans un dispositif audiovidéographique qui déjoue les modalités d'occupation de l'espace habité. Université du Québec à Montréal, 2007, p. 4